Two Men in Town (UK Rating: 15)
French director Rachid Bouchareb has taken the 1973 French movie, Two Men in Town, kept the title, used much of the original story but transplanted it to the present day Texan border. He's added a couple of star names - Forest Whitaker and Harvey Keitel - which makes it all the more curious that, despite a theatrical release in the USA this Spring, it's gone straight to DVD over here in the UK this week. The answer soon becomes apparent, which is more than can be said for some of the other puzzles in the movie.Whitaker is William Garnett, released on parole to his home town after 18 years in prison for the murder of a police sergeant. With the support of his parole officer, Emily Smith (Brenda Blethyn), his attempts at a new life get off to a decent start - a job, a bank account and a girlfriend. However, he has two very large problems from his past: long-serving Sheriff Agati (Keitel), who can't forgive or forget what Garnett did to his second in command, and local criminal Terence (Luis Guzman), who expects him to return to his former ways. Garnett refuses. He's become a Muslim.
The two men of the title, then, are Garnett and the sheriff. It appears that way at the start, because it doesn't take long for Agati to start targeting the released con. He will pin anything he can on him, knowing that the slightest misdemeanour could send him back to jail. Garnett knows that only too well, having been given a whole list of them by Emily, yet when Agati has his quarry behind bars, he just lets him go, with Emily threatening to lodge a complaint about his harassment offered as the reason. It hardly seems enough but, regardless, Keitel disappears from the screen.
Perhaps the two men of the title are Garnett and Luis. The latter lurks around thuggishly, trying to persuade his old compadre to return to his criminal ways, and doesn't take kindly to being refused. He eventually uses Garnett's girlfriend, Teresa, to make his point, but this part of the story only occupies the last quarter of the film, so that theory doesn't stand up.
The film's other conundrum centres on Whitaker's character becoming a Muslim while in prison. There are plenty of outward signs of his faith - his prayer mat and prayer beads - but it's never fully developed, so much so that he could have taken up just about any religion without affecting the dilemmas in the film. Added to that, director Bouchareb has heavily based Whitaker's appearance on Malcolm X - identical glasses, a goatee beard and frequently wearing a dark suit and tie (his only clothes following his release from prison for some time). Sadly, what could have provided a thought-provoking side to the movie turns out to be superficial and rather pat.