Strangled (UK Rating: 15)
Right off the bat, if sexual violence in film format makes you uncomfortable, leave this one behind. Strangled, which hits UK cinemas on 17th November via Eureka Entertainment, is the true story of a serial killer in 1960s Hungry who killed multiple women, and sexual assaulted even more. More than that, though, it is an exposé on the corruption of the system, and one young detective's journey to get to the bottom of a case that may very well have been handled poorly.Strangled opens with a confession. Reti, a simple father, admits to the rape and murder of a local woman. He is quickly tried, convicted, and jailed. In jail, he is subjected to horror at the hands of his fellow felons. Years later, a series of murders begins again in the town, prompting the local police to seek out the killer. However, a fresh, up and coming detective, played by Peter Barnai, seems to think this might not be a new criminal. He believes this is a continuation of the murder Reti took the fall for years before.
Strangled is a decent crime thriller marred by occasionally trying to be too similar to a slasher. The audience gets to follow the killer around and witness all of his depravity like a fly on the wall. This depravity is clear and unquestionable, as the killer strangles, rapes, and does other unspeakable things to his victims. Make no mistake; this should make you uncomfortable, as what viewers are asked to witness goes on for what seems like forever at times.
Also, there's a question to be asked about why the audience has to see so much. Have you ever seen a movie where someone throws up, and it's on full display, and you ask yourself, "Why would you show me that?" Strangled does that, but instead of something as trivial as vomit, this is physical and sexual assault. Worse yet, after a while, it's repetitive, and never really pushes the story any further. By the final scene of depravity, it's easy to be so annoyed by the filmmaker's willingness to reinforce the killer's sadism that it feels sicker that they keep shoving it down your throat.
This constant repetition of ideas is also present in the crime thriller scenes, especially when the movie aims to prove the cops who handled Reti's case are terrible people. One of them is often seen drunk, and is even attempting an affair with Reti's sister in one of the most unintentionally funny sex scenes to come out in a long time. Still, this sub-plot manages to be much more interesting and less repulsive than the sequences with the killer.
By the end, though, it's hard to really recommend it. While it manages to provide smart commentary, it also provides some moments that feel like they are just meant to be shocking, for all the wrong reasons. The plot can be somewhat difficult to follow at times, and at other times it just feels misguided. This is a clear example of a piece with its heart in the right place, failing to really stick the landing it needs. Speaking of sticking the landing, it's hard to tell if the filmmakers think they ended this movie, because that actual ending leaves the fate of almost every major character in the balance. This doesn't feel ambiguous; it just feels like a cliff hanger.