Bit.Trip Complete Wii Nintendo Review

The first game, Bit.Trip Beat consists of the player having to intercept “beats” that look like old Pong balls with a paddle. It plays like a version of Breakout or Arkanoid set on its side and the control could only be realised on the Wii at the time of release. The Wii Remote is held horizontally in one hand and then twisted clockwise or anti-clockwise by the other, moving the paddle up and down the screen to prevent any beats getting by. Beats bounce off the bat and it’s the player’s job to prevent any getting by. The control scheme is a delight and provides a real alternative to old school paddle controllers found on dedicated Pong consoles and the Atari 2600.

It is a pity that this hasn’t been used further by other development houses, since old paddle game classics such as Warlords and Kaboom could now be done justice and playing them with an analogue or D-pad just wouldn’t work as well. It beggars belief that another WiiWare offering -- Arkanoid Plus!, which was released later -- doesn’t use this scheme. However, anyone thinking that this is just another bat and ball game would be mistaken. Each entry in this series of games is in actual fact a loose crossover between simple action games and rhythm/music games like the more esoteric titles such as Rez or Vib Ribbon.

Beats move across the screen from right to left and while it all starts out like a pretty simple affair you are soon assaulted by hordes of beats moving in patterns and tight or loose clusters at varying speeds making the selection of which one to block at any one time quite a hair-raising experience. The soundtrack is integrated with the sounds generated by blocked beats and you very quickly feel the rhythm of the music and then of the level itself -- the player starts to feel the emerging patterns in the beats -- it is an extremely compulsive, enjoyable and unique experience.

Bit.Trip Runner is the fourth instalment, and is by far the least abstract in the series. Gameplay has now progressed to classic left-to-right platforming style, which is very reminiscent of Pitfall, except the running man moves automatically and the player has to time the jumps, slides, kicks and other moves in order to negotiate the oncoming obstacles. Each level has to be perfected -- one mistake and players are returned to the beginning. There are infinite lives, but the game's challenge is simply to complete all of the levels spread over three zones, each ending with a boss battle.

The levels are filled with what look like bars of gold (another nod to Pitfall) and these are used to score and so to ultimately tempt the player into difficult sequences of jumps in order to collect them all, with each level displaying how many there are to collect. Interspersed with bars of gold are collectables that increase the player’s plateau, which ups the graphical look slightly and also enriches the soundtrack as before. At the highest plateau, the player leaves behind a rainbow stream, just like the artwork of old Activision Atari game boxes that implied movement on the cover art.

Collecting all of the gold sees the player tackling a "retro challenge" bonus level with the same gameplay and goal but the imagery is now a fully remixed copy of Pitfall (it even has a quiet background hiss of a partially mistuned Atari console) for more points that gives the player a "double perfect" target to aim for on each stage. This game is perhaps a high point in the game series and would be considered more approachable to more people (indeed this one got a release on Steam) despite the unforgiving old-style gameplay of ‘one mistake and you are dead.’ This "trial and error" and "learn-by-rote" style of play may frustrate modern gamers who have no warm memory of the sights and experiences on offer in this game. Again jumps, kicks, and so on, add to the soundtrack, and this helps get players into a rhythm of the music and the level, which can actually help with overcoming the tougher levels.

Bit.Trip Fate is the next in the series and here Gaijin Games progressed to the shmup approach. The Nunchuck is reintroduced and used to partially control the figure, Commander Video, from the previous game whom is attached to a horizontal waving line "sine wave style" path. The stick is used to move the figure back and forth along this path and the Wii Remote is used to aim/point and shoot. Despite the old style gameplay, this title actually has more modern shooter features, such as the idea of a collision box. Commander Video can be hit without taking damage unless a hit is registered at a small area in the chest region (his heart?), which allows for great skill in threading through swarms of enemies while not taking damage. This isn't an old-school "one hit and you are dead" shooter either; you have an energy bar that results in life loss when depleted through repeated hits.

The final game in the series, Bit.Trip Flux, brings us back to the gameplay of the first game, except with some differences. This time the beats move left-to-right and there are new beats to be avoided. The challenge seems to have been stepped up from the first game and the graphics and colours are even more attractive and that same great paddle control scheme is used. All of the games in Bit.Trip Complete, apart from Runner, provide some sort of co-operative multi-player support for two- and in some cases four-players.

Played in sequence these games take the player through a cycle of game styles, arriving back at the first that is similar but slightly different, almost as if it has picked something up along the way and if you get this compilation and read the letters from the developers (just one of the extras explained below) you will learn that the series of games reflects the life of the character in the Bit.Trip Runner -- Commander Video -- from creation in the void to birth, life, challenge, and death, finally rejoining the void, yet somehow being enriched from the experience. This all might sound a bit contrived to some but the developers of this series really seem to have approached this as a work of, dare I say it, art.

For those who have bought into some or all of these games already, there are several extras on the disc (which in itself may provide some comfort to those who are wondering if we will be able to transfer our digital games onto the Wii U). There is a library of unlockable art, music, videos and the aforementioned letters from the developers explaining each of the games and the game series as a whole, which provides concise but interesting reading. The disc is also accompanied by a second bonus soundtrack disc that is always a nice thing to have for collectors.

Gameplay wise, there is a new easier difficulty level and more comprehensive online high score support, but the main new feature is the twenty new challenges each game in the series has; tough, highly focused levels that require perfection in order to defeat. They unlock in batches as the player progresses and provide a hefty challenge to those who have completed the main game levels. Overall this is a very attractive package, but probably cannot be recommended unconditionally. These games are highly stylised and are based around simple old-school, unforgiving gameplay with a pretty high degree of challenge. There are precious little in the way of checkpoints or save points here, although they are found to keep even the more determined gamer sane. This is a love letter to the Atari 2600 and its game library as well and this may well be lost on many gamers who didn't live through that era -- but it is a delight to older folk who lived through it and still remember it fondly.

"Are games art?" is almost a joke question on jaded videogame forums. "What is hardcore?" is another met with scorn when posted by a bright-eyed enthusiastic forum newcomer. Rez has come and gone, as has Ico and Shadow of the Collossus -- all poster boys for the game/art sympathisers, but here is a title that just might provide an answer to both those questions -- "yes, this is."