Cubed3 was able to head over to the Hyper Japan Festival 2025 event that took place at Olympia London from 18th-20th July. With a mix of food, drink, culture, music, fashion, gaming, and much more, it was indeed a spectacular showcase.
This year’s HYPER JAPAN Festival lived up to its label of being a vivid showcase of Japanese culture, taking place in the heart of London, UK, at the prestigious Olympia London. It’s quite fitting that such a large venue played host to one of the UK’s most dynamic cultural bi-annual events (taking place in the summer and winter). Over the course of three days, the venue transformed into a vibrant hub of Japanese creativity, drawing thousands of attendees from across the country and beyond. From anime enthusiasts and cosplayers to families, artists, and curious newcomers, the festival offered a compelling blend of entertainment, commerce, and cultural exchange.
What set this year’s edition apart was not only the scale of its programming but the atmosphere it cultivated. There was a palpable energy throughout the venue; an infectious sense of joy and curiosity that permeated every corner. Attendees were met with a rich tapestry of sights, sounds, and flavours, each element contributing to a cohesive and immersive experience. One of the most commendable aspects of the festival was the diversity of its audience. While cosplay and anime culture were well represented, the event also attracted a significant number of Japanese and other Asian attendees. This demographic breadth underscored the festival’s commitment to authenticity and cultural nuance. It was not merely a showcase of Japanese pop culture, it was a celebration of Japan’s multifaceted identity, presented with care and precision. The inclusive atmosphere fostered genuine engagement. Visitors weren’t just passive spectators; they were active participants in workshops, tastings, performances, and conversations. This sense of community was evident in every interaction, from the bustling artist alley to the quiet appreciation of traditional crafts.
Live music and stage performances formed the emotional core of the festival. A carefully curated line-up brought together established artists, emerging talent, and high-quality tribute acts. Each performer contributed something unique, whether through musical innovation, theatrical flair, or sheer charisma. Among the standout acts, Yuka Iguchi delivered a particularly memorable set (check out Cubed3’s interview with her right here). Her ability to command the stage with ease and connect with the audience was remarkable. She brought a sense of spontaneity and warmth that elevated the entire day’s programming. Her performance exemplified the festival’s ethos: high-calibre artistry delivered with sincerity and joy. Ai Higuchi and Isiliel were also big hitters on the Friday, the latter with her energetic rock style, and the former showing off truly outstanding vocal and piano talent that left jaws dropped around the on-watching audience.
The first floor of the venue was dedicated to independent artists and creators, offering a refreshing counterbalance to the more commercial aspects of the event. Here, visitors could browse original illustrations, hand-crafted accessories, and niche merchandise. The quality and variety of work on display reflected the depth of talent within the UK’s creative community and its growing connection to Japanese aesthetics. These stalls were more than retail spaces, they were platforms for dialogue and discovery. Artists engaged directly with attendees, sharing stories behind their work and building relationships that extended beyond the transactional. This emphasis on independent creativity added a layer of authenticity that enriched the overall experience.
Food played a central role in the festival’s appeal. From street food vendors serving takoyaki and karaage to the debut of the SUNTORY Highball Bar, the culinary offerings were both diverse and thoughtfully curated. Attendees could participate in sushi-making workshops, sample premium sake, and explore regional Japanese flavours in an accessible and engaging format. The food experiences were not simply about indulgence, as they were also educational and cultural. Each dish told a story, and each tasting offered insight into Japan’s culinary heritage. This approach reinforced the festival’s broader mission: to foster genuine understanding and appreciation of Japanese culture. Fashion and self-expression were celebrated throughout the venue. Cosplayers showcased elaborate costumes inspired by anime, manga, and videogames, while fashion-forward attendees embraced styles ranging from traditional kimono to modern streetwear. Dedicated photo zones and competitions added structure to the spectacle, but the real impact lay in the freedom of expression visible across the crowd.
Workshops on yukata dressing and calligraphy provided hands-on opportunities for cultural engagement. These sessions were well attended and thoughtfully executed, offering participants a deeper connection to the traditions they admired. With over 450 exhibitors, the shopping experience was extensive. The UK debut of MAISON GHIBLI drew considerable attention, offering official Studio Ghibli merchandise that delighted fans and collectors alike. Beyond the headline brands, smaller vendors offered rare manga, artisanal goods, and bespoke items that added texture to the marketplace. The commercial aspect of the festival was balanced by its cultural integrity. Vendors were selected not only for their products but for their alignment with the event’s values. This careful curation ensured that commerce did not overshadow creativity or authenticity.
HYPER JAPAN Festival 2025 succeeded in delivering a multi-faceted experience that was both entertaining and meaningful. It offered attendees a chance to explore Japanese culture in depth, engage with artists and performers, and participate in a community built on shared curiosity and respect. The event’s success in London sets a promising precedent for its upcoming debut in Manchester this November. If the July edition is any indication, HYPER JAPAN is not just growing, it is evolving into one of the UK’s most significant cultural festivals.






It was a fantastic event! Glad you enjoyed @Justin Prinsloo – shame you couldn’t make it in the end, @Jorge Ba-oh
A shame I couldn’t pop down – does look like good fun! Always enjoyed Hyper Japan from the times I did manage to visit – good food, great cultural showcases and gaming booths!
That was the first time I met you (and Suzy) in-person! Wow, rolling back the years. I took my wife that first time and she won a sushi-making competition 😂
Definitely rolling back! Think that may have been 2011 at the old Earl’s Court (RIP)
Last time I went was in 2019, even that seems like a million years away!