IK Multimedia iRig Mic HD Review

On 5th August, 2014, IK Multimedia announced the iRig Mic HD as the first mobile digital condenser microphone for iPhone, iPad, iPod touch, Mac, and PC. It followed the success of the original iRig Mic, but introduced 24‑bit audio conversion, a low‑noise preamp, and direct Lightning/USB connectivity. At launch, it retailed for $129.99 / €99.99, with a black model available worldwide and an exclusive silver edition sold only through Apple Stores. It was ahead of its time, and still proves to be of fantastic quality when recording with an iPhone or iPad. Cubed3 takes a look back at this classic piece of creator kit and reveals why a decade later, it still shines as a portable studio classic.

Designed to Perform

The iRig Mic HD was marketed as the only mobile digital condenser microphone built for live handheld performance and recording. Its electret capsule captured audio with clarity, while the 24‑bit A/D converter supported 44.1/48kHz sampling rates (later expanded to 96kHz via firmware). A gain control dial allowed users to adapt to anything from quiet ambience to loud concerts, with a multi‑colour LED meter providing instant feedback on input levels.

Plug‑and‑Play Professionalism

Unlike analogue mics that relied on noisy headphone jacks, the iRig Mic HD connected digitally via Lightning or USB, bypassing analogue stages entirely. Legacy support was offered through an optional 30‑pin connector, while PC users required a driver download. The retail package was generous: USB and Lightning cables, mic clip, stand adapter, cable lock, and pouch, making it ready for field work straight out of the box.

Apps and Ecosystem

IK Multimedia bundled the mic with a suite of apps, highlighted in its original Press Releases:

– iRig Recorder for quick field interviews and editing;
– VocaLive with 12 real‑time vocal effects and multi‑track recording;
– AmpliTube for guitarists, with free Mac/PC version available;
– EZ Voice for karaoke‑style sing‑along recording.

Compatibility extended to third‑party apps like GarageBand, Cubasis, and MultiTrack DAW, ensuring creators could integrate it into existing workflows.

Performance in Practice

Praise was and is still given for the rich, full‑bodied sound and low‑noise preamp, and it’s worth noting it could handle up to 134dB SPL without distortion. For journalists, podcasters, and musicians, it offered a rare combination: studio‑grade audio in a handheld, mobile‑friendly form factor. While its cardioid‑only pick-up limited versatility compared to multi‑pattern mics, its portability and digital clarity made it a standout.

Rivals of the Era

– Apogee MiC: Higher price, premium build, but less accessible.
– Blue Mikey Digital: Compact Lightning mic, but lower fidelity.
– Zoom iQ5: Stereo capture, but noisier output.

The iRig Mic HD struck a balance of being affordable, durable, and cross‑platform.

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